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Simon & Garfunkle, Shawn Phillips, James Taylor


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A Poem On The Underground Wall
P. Simon, 1966
The last train is nearly due
The underground is closing soon
And in the dark deserted station
Restless in anticipation
A man waits in the shadows

His restless eyes leap and scratch
At all that they can touch or catch
And hidden deep within his pocket
Safe within its silent socket
He holds a colored crayon

Now from the tunnel's stony womb
The carriage rides to meet the groom
And open wide and welcome doors
But he hesitates, and then withdraws
Deeper in the shadows

And the train is gone suddenly
On wheels clicking silently
Like a gently tapping litany
And he holds his crayon rosary
Tighter in his hand

Now from his pocket quick he flashes
The crayon on the wall he slashes
Deep upon the advertising
A single worded poem consisting
Of four letters

And his heart is laughing, screaming, pounding
The poem across the tracks rebounding
Shadowed by the exit light
His legs take their ascending flight
To seek the breast of darkness and be suckled by the night



Simon & Garfunkle

Simon & Garfunkle Website

Paul Simon and Art Garfunkel gained fame and notoriety in the 1960's via their aptly-titled duo, Simon & Garfunkel. Over the course of 6 years (1964-1970), the pair made folk-rock a serious art form, expanding upon the paths tread by such luminaries at the Everly Brothers, Bob Dylan, Pete Seeger, Tom Paxton and Peter, Paul and Mary.

Paul Simon and Art Garfunkel both grew up in Kew Gardens, Queens, New York City. After becoming friends in middle school, the two started singing doo-wop in various groups. In 1955, the copyrighted their first composition, a song called "The Girl For Me." By 1957, they were local stars (at least amongst the high school crowd), and tried to take their musicianship to the next level and sell songs to the big publishing houses in Manhattan.

A folk act from Queens, New York, Paul Simon and Art Garfunkel looked like they were going nowhere after recording an unsuccessful all-acoustic debut album. When Dylan went electric a year later, they overdubbed some "rock" instruments onto their then-strongest offering - "Sound of Silence" - and it promptly became a hit.

After years of struggling at the outskirts of the music industry, Simon jumped at the chance to sell out and proceeded to record four of the best pop records of the era. The duo was never a true rival to their British counterparts, the Beatles, but they still made a lot of memorable recordings and were a major force on both the singles and LP charts. It's too bad that Simon dumped his velvety-voiced tenor sidekick, and then proceeded to render himself irrelevant with a string of dull soft-rock records. But some of his 70s work is sophisticated and entertaining, and in the 80s he salvaged his reputation with a pair of excellent "world music" albums.


Wednesday Morning, 3 A.M. (1964)
Sounds of Silence (1966)
Parsley, Sage, Rosemary and Thyme (1966)
The Graduate Original Soundtrack (1967)
Bookends (1968)


Bridge Over Troubled Water (1970)
Simon and Garfunkel's Greatest Hits (1972)
The Concert in Central Park (1981)
The Essential Simon & Garfunkel (2003)
The Columbia Studio Recordings 1964-1970 [BOX SET]


Shawn Phillips

Shawn Phillips Website

Shawn Phillips has been creating a unique style of music since the early 1960's, when he accompanied Donovan's recordings and introduced the sitar to popular music. Since that time, Shawn has released over 17 albums of his own, and has been backed by many talented musicians, including Peter Robinson, Paul Buckmaster, Steve Winwood, Eric Clapton, Caleb Quaye, John Gustafsen, Leland Sklar, Ralph Humphrey, Rick Hart, Rick Wakeman and many more.

His popularity reaches throughout the world, as attested by his quadruple-platinum status in South Africa, sell-out concerts across Quebec, Canada, and scores of fans still discovering music he recorded more than 25 years ago.

Shawn's music reaches out to the core of humanity, bringing messages of peace and hope for a world united in love and understanding. Through his lyrics you can feel the joy and beauty he sees in all living things, and sense the anger and frustration of a man trying to cope with a society that is constantly moving toward self-destruction. Combined with his incredible vocal style, Shawn creates a musical experience that brings the listener to a new level of appreciation for the art, and for the world we live in.

In recent years, the ever-evolving Shawn Phillips has been composing classical-based compositions on computer, creating pieces that would require over 130 live musicians. Shawn's belief is that classical music has the power to "spiritually uplift us and elicit joy". One exceptional composition, entitled 'Port of Entry', was written on the evening that the Berlin Wall came down. Shawn occasionally performs these pieces in concert with his portable computer and midi electronic devices, while adding his full-range vocal accompaniment to the arrangement as only Shawn can.

BREAKTHROUGH (1973-74)

All your tears come rolling down your cheeks
I been watching you build this for several weeks
do you want to stay with me now, do you want to be so free, so free
eight long years, you've gotta forget the days of pain
all your life you cannot fight every drop of rain
if you need me call me over, if you want me hold me closer, so near
don't wake up and start your day so down. I'll be there to make
like I'm your clown
with your laughter you fill my heart now, with your sorrow you're tearing me apart, my heart
turn me round, I've got to find out where
woman gotta live, gotta be a mother
woman gotta give, gotta be a lover
woman ought to live her life the way she feel
woman ought to have the choice to make the deal
hush your crying, brush my lips on yours
miss your sighing, swept out on the moors
in your pain it's not so plain if I'm the one
that is to blame, my name
when he's grown and gone his way in time
send him strong and full of love and lime
he's the one now make him happy, we're not done yet
I'll be his pappy he's free
woman breakthrough


Shawn (1965 Debut)
I'm a Loner or Favourite Things (1965)
Contribution (1970)
Second Contribution (1970)
Collaboration (1971)


Bright White (1973)
Furthermore (1974)
Do You Wonder (1975)
Transcendence (1978)
The Best Of (1980)


JAMES TAYLOR
James Taylor's Website

James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist, born in Boston, Massachusetts. He grew up in Chapel Hill, North Carolina, where his father was the dean of the University of North Carolina Medical School. His family summered on Martha's Vineyard.

Taylor's career began in the mid-1960s, but he found his audience in the early 1970s, singing sensitive and gentle acoustic songs. He was part of a wave of soft singer-songwriters of the time that also included Carole King, Joni Mitchell, John Denver, Jackson Browne and Carly Simon (whom he later married).

While living in New York City, Taylor became addicted to heroin. One night, after receiving a desperate phone call, his father (Dr. Isaac Taylor) drove to New York and "rescued" him. Later, Taylor wrote a song called "Jump Up Behind Me," that paid tribute to his father's help during a time of desperate need. The song also reflects on Taylor's memories of the long drive from New York back to his home in Chapel Hill.

In 1968, Taylor moved to London. He was signed to Apple Records after sending a demo tape to Peter Asher (of Peter & Gordon) and released his debut album, James Taylor. The album did not sell very well and Taylor's addiction worsened. Moving back to the United States, Taylor checked into Austin Riggs Hospital in Stockbridge, Massachusetts, to try to break his drug problem. By 1969, he was well enough to perform live and had a six-night stand at the Troubadour Club in Los Angeles. On July 20, 1969, he performed at the Newport Folk Festival. Shortly after that, he broke both hands in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months.

Once recovered, Taylor signed to Warner Bros. Records and moved to California, keeping Asher as his manager and record producer. His second album, Sweet Baby James, was a massive success, buoyed by the single "Fire and Rain", a song about his experience in an asylum and the suicide of a friend. The success of this single and the album piqued interest in Taylor's first album, James Taylor, bringing it and the single "Carolina in My Mind" back onto the charts.

Always visibly active in environmental and progressive causes, in October 2004 Taylor joined the "Vote for Change" tour, playing a series of concerts in American swing states. These concerts were organized by MoveOn.org with the general goal of mobilizing people to vote for John Kerry and against George W. Bush in that year's Presidential campaign. Taylor's appearances were joint performances with the Dixie Chicks.


James Taylor (1968)
Sweet Baby James (1970)
James Taylor and the Original Flying Machine (1971)
Mud Slide Slim and the Blue Horizon (1971)
One Man Dog (1972)


Walking Man (1974)
Gorilla (1975)
In the Pocket (1976)
Greatest Hits (1976)
Greatest Hits-Vol 2


JT (1977)
Flag (1979)

Something In the Way She Moves

Something in the way she moves, or looks my way, or calls my name
that seems to leave this troubled world behind.
And if I'm feeling down and blue or troubled by some foolish game,
she always seems to make me change my mind..

And I feel fine anytime she's around me now, she's around me now almost about all the time.
And if I'm well you can tell she's been with me now.
She's been with me now quite a long, long time and I feel fine.

Every now and then the things I lean on lose their meaning
and I find myself careening in places where I should not let me go.
She has the power to go where no one else can find me and to silently remind me
of the happiness and the good times that I know, and then I just got to go then.

It isn't what she's got to say but how she thinks and where she's been.
To me, the words are nice, the way they sound.
I like to hear them best that way, it doesn't much matter what they mean.
she says them mostly just to calm me down

And I feel fine anytime she's around me now, she's around me now almost about all the time.
And if I'm well you can tell she's been with me now.
She's been with me now quite a long, long time and I feel fine.



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