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60s & 70s Music Store

Rock Blues II

Jeff Beck, Stevie Ray Vaughn, Johhny Winter Band, George Thorogood & the Destroyers



Johnny Winter © robert altman

Welcome to 60s & 70s Music Store!

© robert altman

Get A Haircut
George Thorogood & the Destroyers

I was a rebel from the day I left school,
grew my hair long and broke all the rules
I'd sit and listen to my records all day,
with big ambitions of where I could play

My parents taught me what life was about,
so I grew up the type they warned me about
They said my friends were just an unruly mob,
and I should get a haircut and get a real job

Get a haircut and get a real job,
clean your act up and don't be a slob
Get it together like your big brother bob,
why don't you get a haircut and get a real job

I even tried that 9 to 5 scene,
I told myself that it was all a bad dream
I found a band and some good songs to play,
and now I party all night, I sleep all day

I met this chick she was my No. 1 fan,
she took me home to meet her mommy and dad
They took one look at me and said, "Oh my god",
get a haircut and get a real job
Get a real job, why don't you get a real job
Get a real job, why don't you get a real job

I hit the big time with my rock 'n' roll band,
the future's brighter now than I'd ever planned
I'm ten times richer than my big brother bob,
and he, he's got a haircut he's got a real job

Why don't you get a haircut and get a real job
I even tried that 9 to 5 scene

Peace
LionHeart
February 2006


Jeff Beck
Jeff Beck's Website

The electric guitarist Jeff Beck (born June 24, 1944) is a British rock musician who played in a number of influential bands in the 1960s.

Beck was born Geoffrey Arnold Beck in Wallington, London. Like many rock musicians in the early 1960s, he began his career working as a session guitarist. In 1965, Beck joined the Yardbirds (after Eric Clapton left the group for John Mayall's Bluesbreakers). It was during Jeff's tenure with the Yardbirds that they recorded most of their hits. In 1966, Jeff shared the dual-lead guitar role with Jimmy Page. Beck's tenure in the Yardbirds was a short one; he left after 18 months, partly for health reasons.

The following year, Beck formed a new band, Jeff Beck Group, which featured him on lead guitar, Rod Stewart on vocals, Ron Wood on bass, Mick Waller on drums, and Nicky Hopkins on piano. The group produced two albums, Truth in 1968 and Cosa Nostra Beck-Ola the following year. Owing to friction within the band, Stewart and Wood left the group in 1969 to replace Steve Marriott in the Small Faces, this new lineup, joining Ronnie Laine, Ian McLagen and Kenny Jones would shorten their name to just "The Faces." Wood later joined The Rolling Stones.

Beck was one of the first electric guitarists in the 1960s to experiment with electronic distortion (most notably in the Yardbirds 1966 album, Roger The Engineer), redefining the sound and role of the electric guitar in rock music and anticipating what Jimi Hendrix shortly thereafter took further. Beck's work with the Yardbirds and the Jeff Beck Group's 1968 album Truth were seminal influences on heavy metal music, which emerged in full force in the early 1970s.

In the past few years, Jeff Beck has performed on Les Paul and Cyndi Lauper's new albums, and played guitar on Roger Waters' album Amused to Death. Beck also is featured on one track on Queen guitarist Brian May's last solo album, Another World.

For listen samples and reviews, click on CD cover photo. In new window,
click on CD photo again and scroll down.


Truth (1968)
Beck-Ola (1969)
Rough and Ready (1971)
Jeff Beck Group (1972)
Beck Bogert & Appice (1973)


Blow by Blow (1975)
Wired (1976)
Jeff Beck With the Jan Hammer Group (1977)
There and Back (1980)
Flash (1985)


Jeff Beck's Guitar Shop (1989)
Beckology-Anthology (1991)
Crazy Legs (1993)
Who Else! (1999)
You Had It Coming (2001)


Stevie Ray Vaughn

More Stevie Ray Vaughn

Stevie Ray Vaughan born in Dallas, Texas (October 3, 1954 – August 27, 1990) was an American blues guitar legend, known as one of the most influential electric blues musicians in history.

After playing in a series of bands, Dallas-native Vaughan formed the blues rock combo Double Trouble with drummer Chris Layton and bassist Jackie Newhouse in the late 1970s. Tommy Shannon replaced Newhouse in 1981. A popular local draw, Vaughan soon attracted attention from David Bowie and Jackson Browne, and he played on albums with both. Bowie first caught Vaughan at the Montreux Jazz Festival where initially a few members of the audience, who disliked his hard blues sound, booed Vaughan, though most of the crowd cheered him, as can be witnessed in the "Live at Montreux" DVD.

Dave Bowie featured Vaughan on his Let's Dance album in the songs "Let's Dance" and "China Girl". Stevie Ray Vaughan's blues playing style was strongly influenced by Albert King who dubbed himself Stevie's "Godfather". Stevie had a distinct sound of his own which was partly based on using heavy thirteen-gauge strings. Vaughan's sound and playing style, which often features simultaneous lead and rhythm parts, also draws frequent comparisons to that of Jimi Hendrix; Vaughan covered several Hendrix tunes on his studio albums and in performance.

Vaughan's life cut tragically short when, in the early morning of August 27, 1990, he died in a helicopter crash near East Troy, Wisconsin following a concert at the Alpine Valley Music Theater where earlier in the evening he appeared with Robert Cray, Buddy Guy, Eric Clapton and his big brother Jimmie Vaughan, who gave his seat on the helicopter to Stevie.

For listen samples and reviews, click on CD cover photo. In new window,
click on CD photo again and scroll down.


Texas Flood (1983)
Couldn't Stand the Weather (1984)
Soul to Soul (1985)
Live Alive! (Live, 1986)
In Step (1989)


The Sky Is Crying (1991)
In The Beginning (Live, 1992)
Greatest Hits (1995)
The Essential Stevie Ray Vaughan and Double Trouble (1995)
Live At Carnegie Hall (Live, 1997)


In Session (with Albert King (1999)
Blues at Sunrise (2000)
SRV (Box Set) (2000)


Johnny Winter

Johnny Winter's Website

There is no doubt that for pure blues guitar talent, Johnny Winter needs to be mentioned when looking at great blues musicians. Johnny has spent his life mastering a number of varied blues styles and that what makes him such a treat to listen to. In general,when you think of his style, you think of scorchin' fury and passion. With Johnny it's hard to say where the blues stops and rock 'n' roll begins. He always has played both of them. While this seems to bother some blues purists, as Muddy said "The Blues had a baby and they named it Rock 'N' Roll".

Johnny Winter (born 23 February 1944) is an American blues guitarist and singer, well known for being an albino.
He was born John Dawson Winter III in Beaumont, Texas and began performing at a young age with his brother Edgar, also an albino. His recording career began at the age of 15, when their band "Johnny and the Jammers" released "School Day Blues" on a Houston record label. During this same period, he was able to see performances by classic blues artists such as Muddy Waters, B. B. King and Bobby Bland.

In 1968, Johnny began playing in a trio with bassist Tommy Shannon and drummer Uncle John Turner. An article in Rolling Stone magazine helped generate interest in the group. The album "Johnny Winter" was released near the end of that year. In 1969 they performed at numerous rock festivals including Woodstock.

In 1970, he recorded the classic rock tune "Rock and Roll, Hoochie Koo" with a group that included Rick Derringer and Randy Jo Hobbs from The McCoys.

In 1973, after struggling with a drug problem, he returned in classic form with "Still Alive and Well".
In 1977, he produced the Muddy Waters recording, "Hard Again". Their partnership produced a number of Grammy-winning recordings and he recorded the album "Nothing but the Blues" with members from Muddy Waters' band.

In 1988, he was inducted into the Blues Foundation Hall of Fame.

For listen samples and reviews, click on CD cover photo. In new window,
click on CD photo again and scroll down.


Johnny Winter (1968)
Second Winter (1969)
Johnny Winter And (1970)
Johnny Winter And Live (1971)
Still Alive And Well (1973)


Best Of Johnny Winter Band (1969-1973)


Saints And Sinners (1974)
Captured Live! (1976)
Nothin' But The Blues (1977)
White Hot And Blue (1978)
White Lightning (1996)


George Thorogood and the Destroyers
George Thorogood Website

George Thorogood (born December 31, 1951) is a blues-rock and rock performer from Delaware.
Thorogood cut his debut album entitled Better Than the Rest in 1974, and released it that same year. In the autumn of 1976 he recorded his second album, the eponymous George Thorogood with his band, The Destroyers (sometimes also known as The Delaware Destroyers) and issued the album in 1977. Thorogood released his next album entitled Move It On Over in the autumn of 1978 with The Destroyers, which included the hit "Move It On Over" in 1978. "Please Set A Date" and "Who Do You Love" both followed in 1979.
During the 1980s, and 1990s, Thorogood recorded some of his most well known works, Bad To The Bone (used to great effect during the bar scene in Terminator 2: Judgment Day), "I Drink Alone" (from his Maverick album), "You Talk Too Much", and "If You Don't Start Drinking, I'm Gonna Leave".
Thorogood is best known for his animated stage presence and loud, raucous electric guitar playing. He is also known as "Lonesome George".

For listen samples and reviews, click on CD cover photo. In new window,
click on CD photo again and scroll down.


George Thorogood & The Destroyers (1977)
Move It On Over (1978)
Bad To The Bone (1982)
Maverick (1985)
Nadine (1986)


Greatest Hits


Live (1986)
Born To Be Bad (1988)
The Baddest of George Thorogood and the Destroyers (1992)
Let's Work Together Live (1994)
30Th Anniversary Tour Live in Europe (2004)

One Bourbon One Scotch One Beer
by George Thorogood


Wanna tell you a story,
about the house-man blues
I come home one Friday,
had to tell the landlady I'd-a lost my job
She said that don't confront me,
long as I get my money next Friday
Now next Friday come I didn't get the rent,
and out the door I went

So I goes to the landlady,
I said, "You let me slide?"
I'll have the rent for you tomorrow.
the next day I don't know
So said let me slide it on you know people,
I notice when I come home in the evening
She ain't got nothing nice to say to me,
but for five year she was so nice
Loh' she was lovy-dovy,
I come home one particular evening
The landlady said, "You got the rent money yet?",
I said, "No, can't find no job"
Therefore I ain't got no money to pay the rent
She said "I don't believe you're tryin' to find no job"
Said "I seen you today you was standin' on a corner,
leaning up against a post"
I said "But I'm tired, I've been walkin' all day"
She said "That don't confront me,
long as I get my money next Friday"
Now next Friday come I didn't have the rent,
and out the door I went

So I go down the streets,
down to my good friend's house
I said "Look man I'm outdoors you know,
can I stay with you maybe a couple days?"
He said "Uh, Let me go and ask my wife"
He come out of the house,
I could see in his face
I know that was no
He said "I don't know man, ah she kinda funny, you know"
I said "I know, everybody funny, now you funny too"
So I go back home
I tell the landlady I got a job, I'm gonna pay the rent
She said "Yeah?" I said "Oh yeah"
And then she was so nice,
loh' she was lovy-dovy
So I go in my room, pack up my things and I go,
I slip on out the back door and down the streets I go
She a-hollerin' about the front rent, she'll be lucky to get any back rent,
she ain't gonna get none of it
So I stop in the local bar you know people,
I go to the bar, I ring my coat, I call the bartender
Said "Look man, come down here", he got down there
So what you want?

One bourbon, one scotch, one beer
Well I ain't seen my baby since I don't know when,
I've been drinking bourbon, whiskey, scotch and gin
Gonna get high man I'm gonna get loose,
need me a triple shot of that juice
Gonna get drunk don't you have no fear
I want one bourbon, one scotch and one beer
One bourbon, one scotch, one beer

But I'm sitting now at the bar,
I'm getting drunk, I'm feelin' mellow
I'm drinkin' bourbon, I'm drinkin' scotch, I'm drinkin' beer
Looked down the bar, here come the bartender
I said "Look man, come down here"
So what you want?

One bourbon, one scotch, one beer
No I ain't seen my baby since the night before last,
gotta get a drink man I'm gonna get gassed
Gonna get high man I ain't had enough,
need me a triple shot of that stuff
Gonna get drunk won't you listen right here,
I want one bourbon, one shot and one beer
One bourbon, one scotch, one beer

Now by this time I'm plenty high,
you know when your mouth a-getting dry you're plenty high
Looked down the bar I say to my bartender
I said "Look man, come down here", he got down there
So what you want this time?
I said "Look man, a-what time is it?"
He said "The clock on the wall say three o'clock
Last call for alcohol, so what you need?"

One bourbon, one scotch, one beer
No I ain't seen my baby since a nigh' and a week,
gotta get drunk man till I can't even speak
Gonna get high man listen to me,
one drink ain't enough Jack you better make it three
I wanna get drunk I'm gonna make it real clear,
I want one bourbon, one scotch and one beer
One bourbon, one scotch, one beer

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