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60s
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60s
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The
Alice's Restaurant Massacre
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Welcome to
60s & 70s Music Store!
The
Guthrie Center
In
1991 Arlo purchased the old Trinity Church. It was Thanksgiving 1965
that events took place at the church which inspired Arlo to write
the song "Alice's Restaurant". Named for his parents, The
Guthrie Center is a not-for-profit interfaith church foundation dedicated
to providing a wide range of local and international services. Its
outreach programs include everything from providing HIV/AIDS services
to baking cookies with a local service organization; an HD walk-a-thon
to raise awareness and money for a cure for Huntington's Disease,
and offering a place simply to meditate. The Guthrie Foundation is
a separate not-for-profit educational organization that addresses
issues such as the environment, health care, cultural preservation
and educational exchange.
And following
in the present day traditions of service and compassion as exemplified
by Ma Jaya Sati Bhagavati, Neem Karoli Baba, Swami Nityananda and
others, the activities at the Trinity Church are flexibly designed
to serve the ongoing needs of the local and international community.
On the door entering the church Ma wrote:
One God - Many Forms
One River - Many Streams
One People - Many Faces
One Mother - Many Children
Ma, an internationally respected spiritual teacher, presided over
the opening night celebrations as the center was re-consecrated to
the service for which it was originally intended - Service to God
and to all sentient beings.
"Everybody might be just one big
soul
Well, it looks that way to me.
So wherever you look in the day or night
That's where I'm a gonna be, Ma
Wherever kids are hungry and crying
Wherever they ain't free
Wherever folks are fighting for their rights
That's where I'm a gonna be, Ma
That's where I'm a gonna be"
From "Tom Joad" by Woody Guthrie
Peace
LionHeart
February 2006

Coming
Into Los Angeles
Words and Music by Arlo Guthrie
Coming in from London
From over the pole
Flying in a big airliner
Chickens flying everywhere around the plane
Could we ever feel much finer?
Coming into Los Angeles
Bringing in a couple of keys
Don't touch my bags if you please
Mister Customs Man
There's a guy with a ticket to Mexico
No, he couldn't look much stranger
Walking in the hall with his things and all
Smiling, said he was the Lone Ranger
Hip woman walking on a moving floor
Tripping on the escalator
There's a man in the line
And she's blowing his mind
Thinking that he's already made her
Coming in from London
From over the pole
Flying in a big airliner
Chickens flying everywhere around the plane
Could we ever feel much finer?
Arlo
Guthrie
Arlo's
Website
Arlo Guthrie was born with a guitar in one hand and a harmonica in
the other, in Coney Island, Brooklyn, New York in 1947. He is the
eldest son of America's most beloved singer/writer/philosopher Woody
Guthrie and Marjorie Mazia Guthrie, a professional dancer with the
Martha Graham Company and founder of The Committee to Combat Huntington's
Disease. He grew up surrounded by dancers and musicians: Pete Seeger,
Ronnie Gilbert, Fred Hellerman and Lee Hays (The Weavers), Leadbelly,
Cisco Houston, Ramblin' Jack Elliott, Sonny Terry and Brownie McGee,
all of whom were significant influences on Arlo's musical career.
Guthrie gave his first public performance at age 13 and quickly became
involved in the music that was shaping the world during the 1960s.
Arlo practically lived in the most famous venues of the "Folk
Boom" era. In New York City he hung out at Gerdes Folk City,
The Gaslight and The Bitter End. In Boston's Club 47, and in Philadelphia
he made places like The 2nd Fret and The Main Point his home. He witnessed
the transition from an earlier generation of ballad singers like Richard
Dyer-Bennet and blues-men like Mississippi John Hurt, to a new era
of singer-song writers such as Bob Dylan, Jim Croce, Joan Baez, and
Phil Ochs. He grooved with the beat poets like Allen Ginsburg and
Lord Buckley, and picked with players like Bill Monroe and Doc Watson.
He learned something from everyone and developed his own style, becoming
a distinctive, expressive voice in a crowded community of singer-songwriters
and political-social commentators.
Arlo
Guthrie's career exploded in 1967 with the release of "Alice's
Restaurant", whose title song premiered at the Newport Folk Festival
helped foster a new commitment among the '60s generation to social
consciousness and activism. Arlo went on to star in the 1969 Hollywood
film version of "Alice's Restaurant", directed by Arthur
Penn.
With songs like "Alice's Restaurant", too long for radio
airplay; "Coming into Los Angeles", banned from many radio
stations (but a favorite at the 1969 Woodstock Festival); and the
definitive rendition of Steve Goodman's "City of New Orleans",
Guthrie was no One-Hit-Wonder. An artist of international stature,
he has never had a hit in the usual sense.
Over the last four decades Guthrie has toured throughout North America,
Europe, Asia and Australia winning a wide, popular following. In addition
to his accomplishments as a musician, playing the piano, six and twelve-string
guitar, harmonica and a dozen other instruments, Arlo is a natural-born
storyteller, whose tales and anecdotes figure prominently in his performances.
Today Arlo spends nearly ten months of the year on the road, and is
frequently accompanied by his son Abe. On special occasions, his daughter
Sarah Lee and her husband Johnny Irion contribute acoustic guitar
and supporting vocals. Abe has shared the stage with his father for
over 15 years, playing keyboards and providing additional vocals.
His daughter Cathyaliza heads the business office in Nashville, and
daughter Annie heads the main office in Sebastian, Florida. Together
they provide the business and logistical support for the Guthrie family.
Arlo recently created a program of symphonic arrangements of his own
songs and other American classics, "An American Scrapbook".
By the end of 2004 Arlo will have performed over 40 concerts with
27 different symphony orchestras throughout the US since 1998. The
show at Boston's Symphony Hall, conducted by Keith Lockhart, was recorded
and aired on PBS' Evening at Pops. The 4th of July celebration in
2001 with the Pops attracted an audience of over 750,000 people and
was broadcast live by A&E.
Alongside
his thriving performing career, Guthrie launched his own record label
Rising Son Records in 1983. RSR, in addition to Arlo's complete catalogue
of music RSR includes recordings by Abe's band, Xavier, Sarah Lee's
debut album "Sarah Lee Guthrie" and Johnny Irion's recording
"Unity Lodge". Their latest release is called "Entirely
Live" and their latest (2004) recording "Exploration"
is due soon. Arlo is also heard on a soon to be re-release "This
Land is Your Land" alongside the voice of his father Woody Guthrie.
The album has won several awards including a 1997 Grammy nomination
as "Best Musical Album for Children".
The latest release from RSR is "Banjoman" Arlo and Hans
Theessink co-produced this tribute to their late friend Derroll Adams
enlisting the help of Donovan, Dolly Parton, Billy Connelly, Ramblin'
Jack Elliott and others. In addition to these projects, Guthrie also
has plans to record an album of his orchestrated material as soon
as possible.
Coming soon! There are many projects in production; The November 2003
Tribute to Harold Leventhal at Carnegie Hall with Arlo and family,
The Weavers (Pete Seeger, Ronnie Gilbert, Fred Hellerman and Erik
Darling), Peter, Paul and Mary, Theodore Bikel and Leon Bibb was filmed
and is scheduled for theatrical release late in 2004; Arlo's show
recorded live in Sydney, Australia in June 2004 may be available late
in 2004 as a DVD. There are many other projects on the way or near
completion.
Arlo's other wide-ranging activities have included acting roles on
the ABC series "Byrds of Paradise" and on the USA network
series "Renegade". He has written and published The Rolling
Blunder Review, a popular newsletter, since 1986, and is the author
of an award-winning children's book "Mooses Come Walking"
illustrated by Alice May Brock.
For
listen samples and reviews, click on CD cover photo. In new window,
click on CD photo again and scroll down.
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Alice's
Restaurant (1967)
Arlo (1968)
Running Down the Road (1969)
Washington County (1970)
Hobo's Lullaby (1972)
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Last
of the Brooklyn Cowboys (1973)
Arlo Guthrie (1974)
Together In Concert (1975)
Amigo (1976)
The Best of Arlo Guthrie (1977)
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One
Night (1978)
Outlasting the Blues (1979)
Power Of Love (1981)
Precious Friend (1982)
Someday (1986)
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Son
of the Wind (1992)
More Together Again (1994)
Alice's Restaurant - The Massacree Revisited (1997)
Mystic Journey (1996)
Live In Sydney (2005)
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Alice's
Restaurant (1969) DVD
Starring: Arlo Guthrie, Patricia Quinn
Director: Arthur Penn
Arlo Guthrie's song is converted into a motion picture. Arlo goes to
see Alice for Thanksgivng and as a favor takes her trash to the dump.
When the dump is closed, he drops it on top of another pile of garbage
at the bottom of a ravine. When the local sheriff finds out a major
manhunt begins. Arlo manages to survive the courtroom experience but
it haunts him when he is to be inducted into the army via the draft.
The movie follows the song with Arlo's voice over as both music and
narration.
Alice's
Restaurant
By Arlo Guthrie
This song is called Alice's Restaurant, and it's about Alice, and
the
restaurant, but Alice's Restaurant is not the name of the restaurant,
that's just the name of the song, and that's why I called the song
Alice's
Restaurant.
You
can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant
Now
it all started two Thanksgivings ago, was on - two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
restaurant, but Alice doesn't live in the restaurant, she lives
in the
church nearby the restaurant, in the bell-tower, with her husband
Ray and
Fasha the dog. And livin' in the bell tower like that, they got
a lot of
room downstairs where the pews used to be in. Havin' all that room,
seein' as how they took out all the pews, they decided that they
didn't
have to take out their garbage for a long time.
We got up there, we found all the garbage in there, and we decided
it'd be
a friendly gesture for us to take the garbage down to the city dump.
So
we took the half a ton of garbage, put it in the back of a red VW
microbus, took shovels and rakes and implements of destruction and
headed
on toward the city dump.
Well
we got there and there was a big sign and a chain across across
the
dump saying, "Closed on Thanksgiving." And we had never
heard of a dump
closed on Thanksgiving before, and with tears in our eyes we drove
off
into the sunset looking for another place to put the garbage.
We didn't find one. Until we came to a side road, and off the side
of the
side road there was another fifteen foot cliff and at the bottom
of the
cliff there was another pile of garbage. And we decided that one
big pile
is better than two little piles, and rather than bring that one
up we
decided to throw our's down.
That's what we did, and drove back to the church, had a thanksgiving
dinner that couldn't be beat, went to sleep and didn't get up until
the
next morning, when we got a phone call from officer Obie. He said,
"Kid,
we found your name on an envelope at the bottom of a half a ton
of
garbage, and just wanted to know if you had any information about
it." And
I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put
that envelope
under that garbage."
After speaking to Obie for about fourty-five minutes on the telephone
we
finally arrived at the truth of the matter and said that we had
to go down
and pick up the garbage, and also had to go down and speak to him
at the
police officer's station. So we got in the red VW microbus with
the
shovels and rakes and implements of destruction and headed on toward
the
police officer's station.
Now friends, there was only one or two things that Obie coulda done
at
the police station, and the first was he could have given us a medal
for
being so brave and honest on the telephone, which wasn't very likely,
and
we didn't expect it, and the other thing was he could have bawled
us out
and told us never to be see driving garbage around the vicinity
again,
which is what we expected, but when we got to the police officer's
station
there was a third possibility that we hadn't even counted upon,
and we was
both immediately arrested. Handcuffed. And I said "Obie, I
don't think I
can pick up the garbage with these handcuffs on." He said,
"Shut up, kid.
Get in the back of the patrol car."
And that's what we did, sat in the back of the patrol car and drove
to the
quote Scene of the Crime unquote. I want tell you about the town
of
Stockbridge, Massachusets, where this happened here, they got three
stop
signs, two police officers, and one police car, but when we got
to the
Scene of the Crime there was five police officers and three police
cars,
being the biggest crime of the last fifty years, and everybody wanted
to
get in the newspaper story about it. And they was using up all kinds
of
cop equipment that they had hanging around the police officer's
station.
They was taking plaster tire tracks, foot prints, dog smelling prints,
and
they took twenty seven eight-by-ten colour glossy photographs with
circles
and arrows and a paragraph on the back of each one explaining what
each
one was to be used as evidence against us. Took pictures of the
approach,
the getaway, the northwest corner the southwest corner and that's
not to
mention the aerial photography.
After
the ordeal, we went back to the jail. Obie said he was going to
put
us in the cell. Said, "Kid, I'm going to put you in the cell,
I want your
wallet and your belt." And I said, "Obie, I can understand
you wanting my
wallet so I don't have any money to spend in the cell, but what
do you
want my belt for?" And he said, "Kid, we don't want any
hangings." I
said, "Obie, did you think I was going to hang myself for littering?"
Obie said he was making sure, and friends Obie was, cause he took
out the
toilet seat so I couldn't hit myself over the head and drown, and
he took
out the toilet paper so I couldn't bend the bars roll out the -
roll the
toilet paper out the window, slide down the roll and have an escape.
Obie
was making sure, and it was about four or five hours later that
Alice
(remember Alice? It's a song about Alice), Alice came by and with
a few
nasty words to Obie on the side, bailed us out of jail, and we went
back
to the church, had a another thanksgiving dinner that couldn't be
beat,
and didn't get up until the next morning, when we all had to go
to court.
We
walked in, sat down, Obie came in with the twenty seven eight-by-ten
colour glossy pictures with circles and arrows and a paragraph on
the back
of each one, sat down. Man came in said, "All rise." We
all stood up,
and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog,
and he
sat down, we sat down. Obie looked at the seeing eye dog, and then
at the
twenty seven eight-by-ten colour glossy pictures with circles and
arrows
and a paragraph on the back of each one, and looked at the seeing
eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with
circles
and arrows and a paragraph on the back of each one and began to
cry,
'cause Obie came to the realization that it was a typical case of
American
blind justice, and there wasn't nothing he could do about it, and
the
judge wasn't going to look at the twenty seven eight-by-ten colour
glossy
pictures with the circles and arrows and a paragraph on the back
of each
one explaining what each one was to be used as evidence against
us. And
we was fined $50 and had to pick up the garbage in the snow, but
thats not
what I came to tell you about.
Came
to talk about the draft.
They got a building down New York City, it's called Whitehall Street,
where you walk in, you get injected, inspected, detected, infected,
neglected and selected. I went down to get my physical examination
one
day, and I walked in, I sat down, got good and drunk the night before,
so
I looked and felt my best when I went in that morning. `Cause I
wanted to
look like the all-American kid from New York City, man I wanted,
I wanted
to feel like the all-, I wanted to be the all American kid from
New York,
and I walked in, sat down, I was hung down, brung down, hung up,
and all
kinds o' mean nasty ugly things.
And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room
604."
And I went up there, I said, "Shrink, I want to kill. I mean,
I wanna, I
wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore
and
guts and veins in my teeth. Eat dead burnt bodies. I mean kill,
Kill,
KILL, KILL." And I started jumpin up and down yelling, "KILL,
KILL," and
he started jumpin up and down with me and we was both jumping up
and down
yelling, "KILL, KILL." And the sargent came over, pinned
a medal on me,
sent me down the hall, said, "You're our boy."
Didn't feel too good about it.
Proceeded on down the hall gettin more injections, inspections,
detections, neglections and all kinds of stuff that they was doin'
to me
at the thing there, and I was there for two hours, three hours,
four
hours, I was there for a long time going through all kinds of mean
nasty
ugly things and I was just having a tough time there, and they was
inspecting, injecting every single part of me, and they was leaving
no
part untouched. Proceeded through, and when I finally came to the
see the
last man, I walked in, walked in sat down after a whole big thing
there,
and I walked up and said, "What do you want?" He said,
"Kid, we only got
one question. Have you ever been arrested?"
And I proceeded to tell him the story of the Alice's Restaurant
Massacre,
with full orchestration and five part harmony and stuff like that
and all
the phenome... - and he stopped me right there and said, "Kid,
did you ever
go to court?"
And I proceeded to tell him the story of the twenty seven eight-by-ten
colour glossy pictures with the circles and arrows and the paragraph
on
the back of each one, and he stopped me right there and said, "Kid,
I want
you to go and sit down on that bench that says Group W .... NOW
kid!!"
And I, I walked over to the, to the bench there, and there is, Group
W's
where they put you if you may not be moral enough to join the army
after
committing your special crime, and there was all kinds of mean nasty
ugly
looking people on the bench there. Mother rapers. Father stabbers.
Father
rapers! Father rapers sitting right there on the bench next to me!
And
they was mean and nasty and ugly and horrible crime-type guys sitting
on the
bench next to me. And the meanest, ugliest, nastiest one, the meanest
father raper of them all, was coming over to me and he was mean
'n' ugly
'n' nasty 'n' horrible and all kind of things and he sat down next
to me
and said, "Kid, whad'ya get?" I said, "I didn't get
nothing, I had to pay
$50 and pick up the garbage." He said, "What were you
arrested for, kid?"
And I said, "Littering." And they all moved away from
me on the bench
there, and the hairy eyeball and all kinds of mean nasty things,
till I
said, "And creating a nuisance." And they all came back,
shook my hand,
and we had a great time on the bench, talkin about crime, mother
stabbing,
father raping, all kinds of groovy things that we was talking about
on the
bench. And everything was fine, we was smoking cigarettes and all
kinds of
things, until the Sargeant came over, had some paper in his hand,
held it
up and said.
"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna-
know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
officer's-name-and-any-other-kind-of-thing-you-gotta-say",
and talked for
forty-five minutes and nobody understood a word that he said, but
we had
fun filling out the forms and playing with the pencils on the bench
there,
and I filled out the massacre with the four part harmony, and wrote
it
down there, just like it was, and everything was fine and I put
down the
pencil, and I turned over the piece of paper, and there, there on
the
other side, in the middle of the other side, away from everything
else on
the other side, in parentheses, capital letters, quotated, read
the
following words:
("KID, HAVE YOU REHABILITATED YOURSELF?")
I went over to the sargent, said, "Sargeant, you got a lot
a damn gall to
ask me if I've rehabilitated myself, I mean, I mean, I mean that
just, I'm
sittin' here on the bench, I mean I'm sittin here on the Group W
bench
'cause you want to know if I'm moral enough join the army, burn
women,
kids, houses and villages after bein' a litterbug." He looked
at me and
said, "Kid, we don't like your kind, and we're gonna send you
fingerprints
off to Washington."
And friends, somewhere in Washington enshrined in some little folder,
is a
study in black and white of my fingerprints. And the only reason
I'm
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in
a
situation like that there's only one thing you can do and that's
walk into
the shrink wherever you are ,just walk in say "Shrink, You
can get
anything you want, at Alice's restaurant.". And walk out. You
know, if
one person, just one person does it they may think he's really sick
and
they won't take him. And if two people, two people do it, in harmony,
they may think they're both faggots and they won't take either of
them.
And three people do it, three, can you imagine, three people walking
in
singin a bar of Alice's Restaurant and walking out. They may think
it's an
organization. And can you, can you imagine fifty people a day,I
said
fifty people a day walking in singin a bar of Alice's Restaurant
and
walking out. And friends they may thinks it's a movement.
And that's what it is , the Alice's Restaurant Anti-Massacre Movement,
and
all you got to do to join is sing it the next time it come's around
on the
guitar.
With feeling. So we'll wait for it to come around on the guitar,
here and
sing it when it does. Here it comes.
You can get anything you want, at Alice's
Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
That was horrible. If you want to end war and stuff you got to sing
loud.
I've been singing this song now for twenty five minutes. I could
sing it
for another twenty five minutes. I'm not proud... or tired.
So we'll wait till it comes around again, and this time with four
part
harmony and feeling.
We're just waitin' for it to come around is what we're doing.
All right now.
You
can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
Da da da da da da da dum
At Alice's Restaurant
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